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On the basis of a cross-linguistic study of more than 250 languages, this book brings to light several fascinating characteristics of pronouns. Dr Bhat argues that these words do not form a single category, but rather two different categories called 'personal pronouns' and 'proforms'. He points out several differences between the two, such as the occurrence of a dual structure among proforms but not among personal pronouns. These differences are shown to derive from the distinct functions that the two categories have to perform in language.

The book also shows that the so-called interrogative pronouns of familiar languages are less concerned with interrogation than with indefiniteness. The author shows that the notion of indefiniteness that can be associated with these and other pronouns is quite different from the one that can be associated with noun phrases. He goes on to postulate certain typological distinctions such as 'two-person' and 'three-person' languages and 'free-pronoun' and 'bound-pronoun' languages.

• Sales Rank: #2791873 in eBooks
• Published on: 2008-01-30
• Released on: 2004-01-22
• Format: Kindle eBook

Review
As a whole, Bhat's monograph represents an interesting and informative contribution to the typological study of pronouns. Linguist List

About the Author

D.N.S. Bhat retired in 1995 as Research Scientist, University Grants Commission, at the Central Institute of Indian Languages, Mysore. He has been Professor of Linguistics in Manipur University, Imphal and International School of Dravidian Linguistics, Tiruvananthapuram, and Reader in Tibeto-Burman linguistics in Deccan College, Pune. He was also a British Council Fellow and a Research Associate in the Language Universals Project of Stanford University. He has written several books both in English and Kannada, which include The Prominence of Tense, Aspect and Mood (1999), The Adjectival Category (1994), Grammatical Relations (1991), Referents of Noun Phrases (1979), and The Syntax and Semantics of Kannada Sentences (in Kannada, 1978).

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A handy practical guide to growing and caring for these beautiful plants, with a photographic directory of best cultivars to try.

• Sales Rank: #381939 in Books
• Published on: 2015-10-07
• Original language: English
• Number of items: 1
• Dimensions: 9.24" h x .22" w x 7.97" l, .84 pounds
• Binding: Paperback
• 64 pages

About the Author
Andrew Mikolajski edited the RHS Encyclopedia of Plants and Flowers and the RHS Encyclopedia of Gardening (both Dorling Kindersley), and he has contributed articles to every major gardening magazine and specialist journal.

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• Sales Rank: #791112 in Books
• Published on: 2003-10-02
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .51" w x 5.31" l, .44 pounds
• Binding: Paperback
• 176 pages

Review
'(Van Praagh) has changed people's lives' Newsweek

About the Author
Born in New York, James Van Praagh took comfort in spiritual visions from an early age. After graduating from San Francisco State University he spent 10 years as an aspiring scriptwriter before finding his true calling as a medium. In the course of his career, he has worked with tens of thousands of people, including many celebrity clients, and his TV work includes two appearances on Larry King Live and on The Oprah Winfrey Show. The TV film Living With the Dead is a dramatisation of his life and work. See his website www. VanPraagh.com.

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This is the Pre-Algebra book for Singapore Math and it includes the Quick Revision Guide.

• Sales Rank: #97933 in Books
• Published on: 2007
• Number of items: 1
• Binding: Paperback
• 440 pages

Most helpful customer reviews

5 of 5 people found the following review helpful.
It's a Math great book
By Patrick D. Lynch
It's a great math book - my son is in 5th grade and now going to 6th. This is not a book for basic 6th grade math. If you or your kid is looking for advanced math (pre algebra / algebra and geometry) this is the right book!!

4 of 4 people found the following review helpful.
Challenging...
By S.R.B.
This math book is definitely advanced. I used it for my son's 7th grade math curriculum (our first year of homeschooling). He's very bright in math and tested at a 10th grade level in 4th grade. Maybe it's an indictment on the public school system here, but we found this to be a bit much (I did well at math in college). Next year we will be using an advanced - but not out of this world - high school math curriculum.

2 of 2 people found the following review helpful.
Four Stars
By Shahzada
good book for practice

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[J665.Ebook] Ebook Pandora's Box, by Frank Wedekind

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Benjamin Franklin Wedekind (July 24, 1864 – March 9, 1918), usually known as Frank Wedekind, was a German playwright. His work, which often criticizes bourgeois attitudes (particularly towards sex), is considered to anticipate expressionism, and he was a major influence on the development of epic theatre. -Wikipedia

• Published on: 2013-07-14
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .15" w x 6.00" l, .22 pounds
• Binding: Paperback
• 64 pages

About the Author
Frank Wedekind (1864-1918) was born in Hanover. He became a journalist and later secretary of a circus before forming his own theatrical company and producing and acting in his own plays. "Fruhlings Erwachen" ("Spring Awakening") was written in 1891 and like all his plays aroused great controversy for its sexual outspokenness. It is perhaps his best known work.

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1 of 1 people found the following review helpful.
What is darker tahn black?
By Dr Jacques COULARDEAU
We jump in this second Lulu play to after her trial and imprisonment, a year and a helf later. Countess Geschwitz has managed to get Lulu some cholera-infected underwear making her and herself sick. They both were taken to hospital for treatment and Lulu escapes by impersonating Countess Geschwitz. We have gone seriously down. The student Hugenberg, expelled from his school, is in some reform-school from which he escapes to make a short anecdotic apparition in the play. Alva is on the run since the death of his father whose paper he has sold. But he does not have any success in his writing any more. Lulu arrives and Alva declares his love to her, but an ambiguous love because his love is nothing but a musical metaphor of her body. We close this first act on this metaphor that may promise something, but what, since she is on the run for the murder of Alva's father to whom she was married? Then the descent into hell goes very fast. They move to Paris and Lulu is blackmailed by Count Casti Piani who wants to sell her to a brothel in Cairo, Egypt. She has to run. At the same time the acrobat Rodrigo tries to blackmail her into giving him twenty thousand marks she would ghet from Alva. She has to get rid of him, which she manages with the help of Countess Geschwitz and Schigolch, her old friend, father or whatever, since we will never know for sure. But at the same time Alva gets ruined because he had invested all his money in Jungfrau railway shares through te banker Puntschu, and these shares are brutally devalued, which brings into the picture an episode of antisemitism. She runs away with Alva, Schigolch and Geschwitz, leaving the corpse of Rodrigo behind. She moves to London where she becomes a plain streetwalker and we see her customers. The first one, Hunidei, is a religious freak who forces her to keep silent. The second client, Kungu Poti, is the son of an African emperor. He knocks Alva on the head when Alva tries to defend Lulu from the rape Kungu Poti is on the point of carrying out. Schigolch gets the body out of the way into Lulu's room. The third client is Dr Hilti, a university tutor in philosophy, who runs away when he discovers the dead Alva. Finally the fourth client, Jack (not yet the Ripper like in Alban Berg's opera) arrives. He will finish the cleaning up of the place by killing Countess Geschwitz first and then Lulu. Altogether only Schigolch will survive who had gone down to the pub to have some Christmas pudding. This second Lulu play is bringing her so low that we kind of sigh with relief when they are all dead, even if Jack is loose in London, but London is a lair of killers and thieves. At last they are at peace. That's amazing how death seems to be a liberation from life, a salvation from sin. In this drama there is no hope and cannot be any, no possible freedom in survival. We think of Gustav Malher who reaches the very same and similar point when he expresses his belief death is a liberation too but with the future or perspective to go back to the earth and join or merge with the universal cycle of cosmic energy. Humanity can only dream of cosmic salvation in this godless century. Wedekind paints a picture that is darker than black, an unescapable total damnation in life and no future beyond, except to get free of that damnation by dying.

Dr Jacques COULARDEAU, University of Paris Dauphine, University of Paris 1 Pantheon Sorbonne, University of Versailles Saint Quentin en Yvelines.

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[I757.Ebook] Fee Download Daughter: a novel, by Janice Lee

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[BLACK AND WHITE EDITION] “Janice Lee is a genius.” – Eileen Myles, author of Inferno (a poet’s novel) ART: Original Holga photographs by Rochelle Ritchie Spencer SOUND: original music by Resident Anti-Hero “Daughter is quantum. There is a girl, there is an octopus, there is language -- in minimal bursts of physical intensities, their magnitude measured in intimate discretes. Janice Lee's prose is energy transfer of the elementary particles of the matter of language. There is a girl, there is an octopus, there is language, understood at the infinitesimal level. No other book ever written has entered my body and being so physically pure. There is not distance between the state of narrative and the matter of being. I turn the page of her body.” – Lidia Yuknavitch, author of The Chronology of Water and Reel to Reel “Daughter, the new volume by Janice Lee, seems to rise as intuitive quantum ascent. It is praxis of the marred, of the seemingly uneven. Janice Lee understands that writing cannot exist as narrative outcome. In Daughter there is reckoning with the cosmos as phantom, as something that does and does not exist. Energies appear by means of paradox and evaporation.” – poet Will Alexander, author of The Sri Lankan Loxodrome "In Daughter, Janice Lee floods the body of a book with the body of a body, all its hybrid, constantly damaging and mending cells. From field to field among the pages we are subject to a brain-damaged, collide-o-scopic file of some internet-age Acker'd Frankenstein having lived to see god die; and yet still must go on walking in the deity's corpse... The result is a meticulous and terrifying resurrection, a glitchy screamtext passed in dire silence to the reader the way blood passes from mother into child. – Blake Butler, author of There is No Year "Lee's surgical cadences and sharp fragments work here as writing will work-to force attention to detail. Which is the unnatural order of things. – Vanessa Place, author of La Medusa and Dies: A Sentence

• Sales Rank: #1760655 in Books
• Brand: Brand: Jaded Ibis Press
• Published on: 2012-07-04
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .33" w x 6.00" l, .45 pounds
• Binding: Paperback
• 132 pages

Features

• Used Book in Good Condition

About the Author
Janice Lee is a writer, artist, editor, designer, curator, and scholar. Interested especially in the relationships between metaphors of consciousness, theoretical neuroscience, and experimental narrative, her creative work draws upon a wide variety of sources. Her obsessive research patterns lead her to making connections between the realms of technology, consciousness studies, design theory, the paranormal & occult, biological anthropology, psychology, and literary theory. Her work can be found in antennae, sidebrow, Action, Yes, Joyland, Luvina, Everyday Genius, elimae, Black Warrior Review, Peacock Online Review, and elsewhere. [See WRITING] She is the author of two highly acclaimed novels: KEROTAKIS (Dog Horn Press, 2010), a multidisciplinary exploration of cyborgs, brains, and the stakes of consciousness; and Daughter (Jaded Ibis, May 2011). She also has several chapbooks Red Trees, Fried Chicken Dinner (Parrot/Insert Press, Forthcoming), and Other Worlds (Eohippus Labs, Forthcoming). She is currently at work on a collaboration about conspiracy theories, time travel, and the Catholic church, and a novel about the technological singularity, the Christian rapture, and the consciousness of God. She has presented scholarly papers on topics such as consciousness studies, psychology, theoretical neuroscience, and experimental narrative at various conferences internationally. She holds a BA in Literature/Writing (with minors in Biological Anthropology & Film Studies) from UCSD and an MFA in Creative Writing from CalArts and currently lives in Los Angeles where she is Co-Editor of the online journal [out of nothing], Co-Founder of the interdisciplinary arts organization Strophe (which houses the curated series Novum), Reviews Editor at HTMLGIANT, and Founder/CEO of POTG Design. Most recently, she was selected by John D’Agata as Black Warrior Review‘s Nonfiction Grand Prize Winner and she currently teaches Graphic Texts & Interface Culture at CalArts.

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0 of 0 people found the following review helpful.
140 pages about a single moment.
By Brandon Jubb
Very confusing at first, Daughter explores neurological and existential philosophies and attempting to bring them into a somewhat physical existence. A girl finds an octopus in the desert. Two gods converse, maybe both comprising the Christian God, maybe one is the devil, maybe they have nothing to do with what comes to mind when we think of God. We know that they both create and they both destroy, but those are two very vague things. The octopus is potentially god. I believe the desert represents an environment devoid of necessities and the girl represents a conscious mind that has suffered trauma and took to the desert to seek solitude and purpose. Stumbling upon the unconscious mind: the octopus, and trying to find comfort somewhere in the between. Lines between physical and emotional are nonexistent, there's no clear plot movement in a physical sense but that's not to imply there's nothing happening. The books is very short and very full, making you question existence perpetually and in different manners at every page.

0 of 0 people found the following review helpful.
Interesting
By Jarrod Bouchie
The book was interesting and had some really cool moments, but it seemed gratuitously abstract and unclear. There is a section of the novel devoted to unreadable text even. Overall, I'm not mad that I bought it, but it's not my favorite.

0 of 0 people found the following review helpful.
Cerebral Philosophies with Octopus
By Tantra Bensko
Jaded Ibis Press has again brought us a new way of thinking about the world. In the case of Daughter, thinking about the world is the same thing as - the world. And it's just as mysterious, full of blank spaces, meanings given and taken away, and swirled together anyway until the meaning of meaning grows multiple arms. A woman finds a dead octopus, which may be a god, perhaps the unconscious mind, in the desert, and is compelled to investigate.

In this book, "splayed" is a color; "competence" is interchangeable with "space." Legend and dream are one, and also, they are the reality of this book's events.

Two god-entwined serpentine brothers talk with each other when the dreams of seekers make them exist, at night, which, as we all know, is the time for parties. They create, and uncreate, just as the narrator does. She claims the right to change her mind, and that she does, the fabric of each moment almost arbitrarily shifting, impossible to pin down for long. "I want a glass case, too. To display my world in. Lend me some money." Says one of the bros to the other one.

Divisions are sifted through, the glass between them shattered into mosaics washed away by the tide. Monster/god/self/mirror/surviving/murder. The very forgetting of the mother, and the mother's forgetting of the daughter, in itself feel monstrous, as do many things in this book, because they trigger some of the deepest existential feelings.

Calling this non-narrative a novel gives a new definition to linear progression, to the story of life, which is also the story of death. This book, conceptual while remaining poignant, breaks new ground for writers to plant a new kind of writing in the future, more honest without the artifice of convention. The subject matter is consciousness itself, so encountering this book is encountering pure being perhaps more than any fiction I've yet read.

"I drift from one self into another, clasping tenticular detail, mouth held into night, a liquid hand drifting. The carcass trembles and floats, qualis spectator pereo. A fusing, a brownish tint, and the shadow is fishing for octopus. Blanched and without intention, the body is quiet, our bodies are quiet, becoming the desert and encircled by the hugging hands, points with fervor, swallowing the breaths of the sea."

Holga photos by Rochelle Ritchie Spencer work well, and are printed at high quality which does them justice. They dream on the page, and continually shock with the contents of a glass jar. Nature gains a new life, and otherwise, what has been captured out of nature without means of escape, including humanity, is held in a kind of strange stillness pulsating against the edges of its caged anonymity.

Jaded Ibis's creativity with the fine art limited editions continues to astound me. Oooooooo. This one is:

"An autopsy kit containing handcrafted surgical tools and various medical artifacts, including casts of octopi body parts in apothecary bottles. The kit is an aged wooden box with a secret compartment containing the novel printed on transparent "skin" and laid upon a bed of sand. Contains flash drive with soundtrack, Monster," by Resident Anti-Hero." Is it just me, or is this kind of - orgasmic - to imagine?

Janice's previous book exploring the nature of consciousness (and Frankenstein), Kerotakis, came out in 2010 from the excellent, and WILD Dog Horn Publishing.

I highly recommend Janice Lee's books to anyone who wants to ride the wave of literature peaking with her dissection of the nature of reality, using your mind as the delighted tool.

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